“Well, I can’t say anything else—I get to the end of all the logic about non-resistance, and there, like an excluded middle, stands the huge spectre of man as he is and always will be. And this spectre stands right beside the one logical necessity of Tolstoi’s, and the other logical necessity of Nietzsche’s—” Amory broke off suddenly. “When are you going?”
“When are you going?”
“I’m going next week.”
“I’ll see you, of course.”
As he walked away it seemed to Amory that the look in his face bore a great resemblance to that in Kerry’s when he had said good-by under Blair Arch two years before. Amory wondered unhappily why he could never go into anything with the primal honesty of those two.
This side of Paradise
HISTORICAL BACKGROUND
Built between 1896 and 1897 as Princeton's first Collegiate Gothic-style dormitory, it was designed by Cope and Stewardson in the Tudor Gothic style and incorporates the iconic Blair Arch, which for years served as the main entrance to the campus for those arriving by train, as the Pennsylvania Railroad tracks reached the building's steps.
